Cutting to the Core

Some thoughts on Analysis and Synthesis

I have an ongoing argument with my friends in the Biology class.  It should be noted that I have earned my undergraduate minor by taking 27 hours of Biology classes, so I am not without some insight into how this subject is often taught.  My concern is with the common lab activity of dissection.  This is not an argument from ethos or pathos, but from logos.  Why would students who are studying life do so by cutting up dead animals?  But this article is not about that, so let me take the introduction it provides and move on without discussing all my arguments for that discussion.  Dissection, the art of cutting up dead things, is synonymous with analysis.  Analysis is literally to cut apart.  And we are really good at this in the West.

I do not wish to argue here against analysis.  It is a necessary part of knowing something.  If one cannot distinguish the parts of a given body of knowledge, they just don’t know their way around that subject.  What I do wish to argue is that analysis does not bring us complete knowledge.  Analysis without synthesis is dangerous for the well being of Truth, our souls, and education.  Before I argue this, let me give an analogy from my past so that I might use it throughout my argument.

I bought my first car when I was fourteen years of age.  Back in my day, in my home state of Kansas, one could drive at a fairly young age as families depended on such given the fact that many in that state live quite a ways from school, work, stores, etc.  I purchased from a local used car lot a ten year old car: a 1969 Chevy Impala.  It ran, but not as smoothly as my father wished.  I should mention that my father grew up on the farm, had worked in the Air Force as a jet engine mechanic, and after that had spent time as a mechanic at a local service station, so he knew his way around a car engine (back when such was a fairly simple forthright piece of machinery).  I came home from school on the day of this story to find my father in the back yard with my car’s engine scattered around on the lawn.  It was in an orderly fashion and he assured me that he would get it all back together, but he had to assure himself that all was in good working order if I was going to be driving it around central Kansas.  

NB: This is not my car, but one quite similar in appearance to what I owned.

I was impressed that he had got it apart, but I was nervous about him getting it all back together and the engine working as well as before, let alone better.  Over the weekend (this started on a Friday) he patiently cleaned, inspected, and then reassembled each piece laying on the lawn back into a working engine.  He also attempted to instruct me in what each part was, what it did, etc.  I was thrilled when we cranked the engine on Sunday and it successfully roared to life, actually running better than before.  To this day I have no hope of doing what he did, but that is beside my point.  My father demonstrated his knowledge of a car engine in two ways: he knew the parts, and he understood how they came together to form a whole engine.

With that story in mind, let me shift to my own work in the classroom.  Any given science (and remember that I distinguish arts and sciences in the very old way) or area of knowledge has its parts and its whole.  Both must be addressed for the “subject” to be learned. There are two ancient ways of doing this logically: inductive and deductive logic.  Inductive reasons from the parts to the whole, deriving an understanding by, let’s say, starting with the parts of an engine and coming to greater understanding by assembly.  Deductive is the opposite, starting with a concept or principle and through logical analysis, determining what the parts to that principle are.  The goal of such logic should be wisdom, which comes when the knowledge of specific facts or parts coalesces into a meaningful whole by the student’s understanding both the parts and the whole and then acts based on that understanding to live more closely aligned with the Created Order of the World.  Some exemplifications might help.

I don’t think a student really knows a story like Lewis’ The Lion, the Witch, and the Wardrobe if he struggles with the who, what, and where of the story plot and details, the facts, if you will.  He should be able to recreate the story by stating the parts, making sure Tumnus takes his walk, Lucy gets lost, Edmund wants his Turkish Delight, Aslan dies, etc., etc.  But the student is lost as well if she cannot move beyond the parts.  Knowing the names of the Pevensies, or identifying the White Witch, etc. is nothing more than seeing all the engine parts laying about on the lawn.  

Even if there is a chronological or thematic organization to the parts, the student must press on from factual acumen to what is often called understanding.  Seeing that Lewis has arranged these parts in a way that elicits comparison with Christian teaching, or various moral implications behind the actions of the characters is the synthetic act toward this work that corresponds to the engine parts being placed onto the engine block in their proper place.  

She thus begins to understand the work as a work, not just show felicity with the parts.  I press further that Lewis’ story is still useless until it in some small or large ways leads the reader to live differently.  This knowledge leading to understanding resulting in wisdom arc is basic to my view of how a science needs both analysis and synthesis to truly amount to learning.

I return to my first example, that of dissection, to conclude these thoughts.  For thousands of years students have been taught to understand and admire the living organism by the cutting apart of a dead specimen to better understand the internal organs of the animal, which cannot be done to a living organism without killing it.  Setting aside the ethical arguments, and focusing simply on the educational goals, I am not opposed to this use of the dead to understand the living, I just have little experience to indicate that your average student is led from observing dead things to their living counterparts.  I understand a leaping frog better if I have seen his innards, but only if I then have observation of the jumping live frog and apply what I have seen as the parts to the whole.

Good teaching, whatever the subject, cannot neglect either the parts or the whole.  My final assertion would be that the reason we are so good at analysis is because it is the easier of the two modes.  Synthesis takes a lot more work and time.  In our pursuit of educational efficiency this is a problem.  And because we have the modern demand upon us to generate numerics for our reporting of a student’s progress, analysis assessment is also easier.  You can generate a test on the parts and grade it much more easily, quicker, and with a numeric result than you can assess a student’s synthesis of the lesson or subject into a meaningful whole.  

And again, this is not bad in my mind.  Analysis must be done and must be assessed.  But don’t stop there.  Don’t make that the sum total of learning.  The harder part must also be done or the engine is still laying about the yard and the fourteen year old is frustrated with an unmoving car, regardless of how many practical benefits the adults tell him there are to his experience.

From Idea to Act

All teaching implies that the learner is moving from thought to action.

No human finds rational contentment in simply knowing facts. The simple individual fact begs us to connect it with other facts. So there is a movement implied in the act of teaching. We go from learning, to understanding, to acting wisely based on the understanding we have gained from our knowledge.

The arts and sciences (review what I mean by these terms here) are related in that no matter what we learn, we see movement inherent in the act of teaching, or learning. We seek to act upon what we know. It is the confused impetus to the common classroom question, “When am I ever going to use this stuff.”  I won’t be hard and fast with it, but I might guess that the student is asking because the teacher has been less than clear about how what they are studying is related to living a good life.

Everything we know about the physical world implies a moral response. If two and two are four, how should I live? If geckos eat bugs, how can I live more wisely in this world? Only when all four sciences are operative can I truly determine how to then act, and only when I have the necessary abilities to seek the truth can I hope to find it.  I would thus insist that gaining facility in the seven liberal arts is way more important than gaining any amount of familiarity with a given science.  Let me step one more step out on the ledge and say that no real grasp of any of the sciences is possible apart from some ability in the liberal arts.

And this brings us back to my singular point: by gaining the ability to be free (from the liberal arts) or gaining any knowledge (in any of the sciences by my right use of the liberal arts), I am naturally, almost without thought, moving toward some act on my part.  I don’t think you really know anything if it is not moving you to do something based upon that knowledge.  Let the discussion begin.

Figure It Out

I have taken on a scary and fun enterprise this school year.  I am teaching a course about something I know very little or nothing about.  I have six sophomores and a senior engaged in a course on filmmaking.  On Mondays, we discuss an assigned film we have all watched prior to class, discussing its content and the art of it.  Tuesdays have me delivering some semblance of a lecture on the filmmaking process.  Then Wednesday through Friday we work on two projects – an ad for our school and a short (15 min max) film.  Here is my rationale and plan for “success.”

  1. An art is not a science, though often you can “outline” the art into something that looks like a science. So an art, like filmmaking, depends upon experiences with the art, often in connection with a master.  As I am exposing the students to master filmmakers through their art, it is much like a great books program in that we are being taught by those outside the room, not necessarily by those within the room.  So my own ignorance is no more crucial than the other students.
  2. In our day, with the internet and tons of other resources, one can study almost anything through such media. My students are being driven to “figure it out” through these resources rather than just doing what the teacher says in class.
  3. This leads to my main point in wanting to teach this course (apart from my love of the subject) – students learn best when they learn as much as possible by “figuring it out.” The main duty of a teacher of art is to ask the right questions in order to direct them toward the right solutions to the problems they experience is trying to do what they want to do.

I will probably come back to this “experiment” over the coming year.  So far, so good.  There is a lot more to be said in regard to how to raise student’s tastes in an art – right now they are shooting pretty low.  But I am giving it and them time.